Center for Medieval and Early Modern Studies at Stanford University
Cosponsored by the Department of Music and the Medieval Studies Workshop
A principal Medieval definition of beauty is splendor formae, the manifesting of the very nature or form of a thing. While the liturgy can be described as a great divine action, it is also comprised of a variety of discrete chants. Being entirely sung, its Gregorian chants differentiate the character and function of each action and thus express a purposeful variety. This lecture will illustrate the beauty of the liturgy by comparing these chants particularly the gradual and alleluia in relation to the responsories of the Divine Office.
William Mahrt is Associate Professor and Director of Early Music Singers at the Center for Medieval and Early Modern Studies at Stanford University, President of the Church Music Assocation of America, and editor of Sacred Music, the oldest continuously published journal of music in North America. His research interests include theory and performance of Medieval and Renaissance music, troubadours, Machaut, Dufay, Lasso, Dante, English Cathedrals, Gregorian chant, and Renaissance polyphony.